clipped FICTION

fiction can also mean something that existed yesterday but not today.
i drafted this notion into a set of a play like scenario where sections of soho acts as a stage.
emphasis would be to 
CAPTURE THE LOCALISED EPHEMERAL EVENTS and SUBSETS TO CREATE A FICTIONAL INTERPLAY.


SECOND Meeting - 5 November 2009
/ story boarding and drawing
/ emphasis on the players of the play within stage (soho)


references
BOOKS
_ Labyrinths - Jorge Luis Borges
_ Empire of Signs - Roland Barthes
_ The Power of Myth - Joseph Campbell
_ Kafka on the Shore - Haruki Murakami
_ The Medium is the Message - Marshall Mcluhan
_ Exit Utopia - Martin Van Schiak and Otakar Macel
_ Utopia Deferred: Writings from Utopie (1967-1978) - Jean Baudrillard
_ Superstudio: Life without Objects - Peter Lan
_ The Situationist City - Simon Sadler
_ The Quantum Self - Dinah Zohar
_ "Live Grams; Warp Lies" p.94 in Semiotext(e)/ARCHITECTURE - Hraztan Zeitlian


FILMS
_ Notebook on Cities and Clothes (1989) - Wim Wenders
_ Werckmeister Harmonies (2000) - Bela Tarr
_ Play Time (1967) - Jacques Tati


// French Photographer - GEORGES ROUSSE http://en.wikipedia.org/wiki/Georges_Rousse
// Russian Film maker - ANDREI TARKOVSKY http://en.wikipedia.org/wiki/Andrei_Tarkovsky
   (movies - STALKER, THE MIRROR, SACRIFICE)


pondering's  
people's clothes as objects; objectify them devoid of race, culture and ethnicity
moods are asymmetrical.
elongated elasticity (DRAWING)